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Jazz Masters - Legendary Jazz Recordings Vol. 6 [CD]
Звичайна ціна £24.95
Buy Now! Your Collection Needs This. This item is still in stock, but popular items sell out fast. Impossible backorder: This Audiophile CD is a discontinued CD Audio production by STS Digital and is out of print - a few remaining are left in stock.
This Jazz Masters series offers you a selection of classic Jazz Standards, recorded by STS Digital to Master Tape and engineered using the MW Process.
Album: Jazz Masters - Legendary Jazz Recordings - Volume 6
Label: STS Digital – 6111184
Format: CD, Audio CD, Compilation, Limited Edition, Stereo, Import
Country: Netherlands
Released: 2018
Genre: Jazz
Tracklist:
Flamingo – T. Grouya/E. Anderson
September In The Rain – H. Warren/A. Dubin
Poor Butterfly – J.L. Golden/R. Hubbell
My One And Only Love – G. Wood/R. Mellin
Memories Of You – E. Blake/A. Razaf
East Of The Sun – B. Bowman
Manhattan – R. Rodgers/L. Hart
Blues In My Heart – B. Carter/I. Mills
All To Soon – D. Ellington
If I Could Be With You – J.P. Johnson/H. Craemer
Love Is Here To Stay – G. & I. Gershwin
Danny Boy – F.E. Weatherly
Legendary Jazz Recordings from the Master Tape and re-engineered to CD and Volume One available on LP Record.
This Jazz Masters Series offers you a selection of classic Jazz Standards, recorded by STS Digital to Master Tape and engineered using the MW Process. The Dutch jazz musicians offer fine renditions of these songs, all beautifully captured by Fritz and his small team in the Netherlands.
Who said the CD was dead? STS Digital are one of Europe's leading audiophile recording and music production studios, still using the analogue tape medium wherever possible for the best musical sound and dynamics. Demand for quality sound grows as labels and studios expand master tape production. Exceptional Audiophile Analog Sound.
Jazz Masters - Legendary Jazz Recordings CDs - In STS Digital CD Recording, you will find:
1. The warm sound, that acoustic instruments possess on their own but is often not captured by sound technicians.
2. Acoustic placing and recognition of the musicians in the recording space.
3. Phase purity of a recording, both the electric phase (good cable/fibre connections etc), and the acoustic phase must be acquired through proper placement of the microphones.
4. Symmetry in the recording; this means always placing the microphones in such a way that on both the left and the right side there’s an equal division of signal, and not placing mono support microphones on the extreme left and right.
5. Transparency and clarity in a recording. This does not mean an overly sharp recording, but one of softness in tone and clarity, in which especially the 3-dimensional recording space is being displayed.
At every step, they check the results and compare the process with the original recordings. If you listen to STS music productions remember that they did their utmost best to get for you all the benefits of our effort to go far beyond the best of the best. This is our greatest music passion: Anyone who loves music wants not just to hear it, but to experience it - www.thesoundoftape.com
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